Sat quietly and worked on this last night. Gelatin printed cloth, vintage glass beads and hand stitching done with threads and organza ribbon.I am glad it's Friday.
Thoughts, musings and randomness from a woman whose passions infringe on her life in the everyday world. "Yes, honey....dinner will be ready soon."
Once you start using cloth you've dyed, discharged, printed, etc yourself it's feels odd to use commercial designer fabrics. With that in mind I do have to say that I like the funky, folk art feel of this piece. The blue beads on the bottom are these hand thrown clay beads that look like a child made them (and possibly did!). These beads are another treasure found in my recent yard sale score on a whole box of beads.
What happens when you screen print on silk organza? All kinds of very cool layers that retain an ethereal effect. This morning I had a 'what if?' moment when I grab a piece of silk organza, some paints and a thermofax screen. Not only are there possibilites for layering on top of other cloth (this is shown on some of my gelatin and screen printed cotton fabrics) but I'm 'what if?' thinking about how different printed pieces would look secured with matte medium on an artist's canvas. More on that experiment later.
Time flies - both when you're having fun and when you're not. Awhile back I agreed to conduct 3 classes in creating art quilt postcards for The Wallkill River School, our local arts center. http://http://www.wallkillriverschool.com/Page_1.html
Messing around with textural stitching last night...I think I might mess around some more tonight...no doubt this will have more added stuff before it's done.
Another tree lady needed to be made last night. This one will be a 4x6"'er and will find a home in Michelle's great little Maine gallery http://www.rougettegallery.com/ . Michelle purchased one of my very early 4x6" art quilt postcards on ebay - when? 2 yrs ago? - and has been carrying them in her gallery ever since. Michelle carries work that is unusual and outside the norm, most you'll never find in traditional fine art galleries. She once said that the beauty of my work helps to offset the edginess of some of her other artists. I think that is one of the most unique compliments my work has ever received.This piece was created using my own gelatin printed and discharged fabric, plus some painted Lutradur.
#1 - Gesso an 8x10" piece of mat board. Secure gelatin printed papers (or use any collage elements your heart desires) with matte medium and add modeling paste in thin layers. Let dry while practicing PATIENCE.
#2 - Add more papers and wash them with a soft color because you're unhappy with their previous starkness. Wonder if you did the right thing, say 'whatever' to yourself a few times and move on. Add acrylics paints in whatever colors appeal to you. Let dry while practicing PATIENCE.
#3 - Add more paints but when this layer is almost dry (after practicing PATIENCE) rub with tissue paper soaked with rubbing alcohol. The alcohol will pull up some of the paint and help to meld the paint layers. Then let it all dry completely. When you're done practicing drying time PATIENCE take different grades of sandpaper and rub, rub, rub until you get a finish that makes you happy. Along the way to can add more paints, pigments or inks if the spirit moves you to do so. 
More when I'm done being patient.
The white flowers were tossed aside and replaced by representations of standing stones and cairns made from gelatin printed paper. This is a true mixed media piece featuring cloth, paint, foil, machine stitching, hand embroidery, hand dyed (by me) masa paper, hand printed (by me) paper plus a hand dyed (by me) cloth border. I am pretty happy with how this turned out. 

